General Editors: Thomas C. Crochunis and Michael Eberle-Sinatra  
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Bibliography - Section Editor: Alex Dick

This section offers a list of works dealing with Romantic drama and Women playwrights, as well as works on humanities computing and electronic editing. This is an ongoing project, and many more titles will be added over the next few months. We hope that this will become a useful research tool for Romantic scholars and theatre specialists.

 
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
  • Anderson, Bonnie. "The Writings of Catherine Gore." Journal of Popular Culture X.2 (1976): 404-23.
  • Anderson, Julie. "Spectacular Spectators: Regendering the Male Gaze in Delariviere Manley's the Royal Mischief and Joanna Baillie's Orra." Enculturation: A Journal for Rhetoric, Writing, and Culture 3.2 (Fall 2001).
  • Anderson, Misty G. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. New York: Palgrave, 2002.
  • Backscheider, Paula R. "Reflections on the Importance of Romantic Drama." Texas Studies in Literature and Language 41.4 (1999): 311-29.
  • ---. Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England. Baltimore: Johns Hopkins UP, 1993.
  • Baer, Marc. Theatre and Disorder in Late Georgian London. Oxford: Clarendon, 1992.
  • Baines, Paul, and Edward Burns, eds. Five Romantic Plays, 1768-1821. Oxford and New York: Oxford UP, 2000.
  • Bardsley, Alyson Margaret. "'Romantic Caledon' or 'Sister Kingdom'? The Ambivalence of Cultural Nationalism in Scottish Romantic Writing." PhD. University of California, Berkeley, 1997.
  • Bennett, Susan. "Genre Trouble: Joanna Baillie, Elizabeth Polack -- Tragic Subjects, Melodramatic Subjects." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Outing Joanna Baillie." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 161-77.
  • Bolton, Betsy. "Farce, Romance, Empire: Elizabeth Inchbald and Colonial Discourse." Eighteenth Century 39.1 (Spring 1998): 3-24.
  • Booth, Alison. "From Miranda to Prospero: The Works of Fanny Kemble." Victorian Studies 38.2 (Winter 1995): 227-54.
  • Bratton, J. S. "Jane Scott the Writer Manager." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Miss Scott and Miss Macauley: 'Genius Comes in All Disguises'." Theatre Survey 37.1 (May 1996): 59-74.
  • Bratton, Jacky, and Gilli Bush-Bailey. "The Management of Laughter: Jane Scott's Camilla the Amazon in 1998." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 178-204.
  • Brewer, William D. "Joanna Baillie and Lord Byron." Keats-Shelley Journal 44 (1995): 165-81.
  • Brigham, Linda. "Aristocratic Monstrosity and Sublime Femininity in De Monfort." SEL 43.3 (Summer 2003): 701-18.
  • Bugajski, Ken A. "Joanna Baillie: An Annotated Bibliography." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005817ar.html
  • Burroughs, Catherine. "'Be Good!': Acting, Reader's Theater, Oratory in Frances Anne Kemble's Writing." Romanticism and Women Poets: Opening the Doors of Reception. Eds. Harriet Kramer Linkin and Stephen Behrendt. Lexington, Kentucky: UP of Kentucky, 1999.
  • ---. "British Women Playwrites and The Staging of Female Sexual Initiation: Sophia Lee's The Chapter of Accidents (1780)." European Romantic Review 14.1 (March 2003): 7-16.
  • ---. Closet Stages: Joanna Baillie and the Theatre Theory of British Romantic Women Writers. Philadelphia: U of Pennsylvania P, 1997.
  • ---. "The English Romantic Closet: Women Theatre Artists, Joanna Baillie, and Basil." Nineteenth-Century Contexts 19.2 (1995): 125-49.
  • ---. "Teaching the Theory and Practice of Women's Dramaturgy." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005823ar.html
  • ---, ed. Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Cambridge: Cambridge UP, 2000.
  • Burwick, Frederick. Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era. University Park: Pennsylvania State UP, 1991.
  • ---. "Joanna Baillie, Matthew Baillie, and the Pathology of The Passions." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Carlson, Julia A. In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge: Cambridge UP, 1994.
  • ---. "Remaking Love: Remorse in the Theatre of Baillie and Inchbald." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 285-310.
  • Carlson, Marvin. "Elizabeth Inchbald: A Woman Critic in Her Theatrical Culture." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 207-22.
  • Carney, Sean. "The Passion of Joanna Baillie: Playwright as Martyr." Theatre Journal 52 (2000): 227-52.
  • Cave, Richard. "Romantic Drama in Performance." The Romantic Theatre: An International Symposium. Ed. Richard Cave. Gerrards, Cross, Buckinghamshire: Collin Smythe, 1986.
  • ---. The Romantic Theatre: An International Symposium. Gerrards, Cross, Buckinghamshire: Collin Smythe, 1986.
  • Chandler, David. "'The Conflict': Hannah Brand and Theatre Politics in the 1790s." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005819ar.html
  • Chisolm, Kate. Fanny Burney: Her Life. London: Chatto & Windus, 1998.
  • Choudhury, Mita. "Gazing at His Seraglio: Late Eighteenth-Century Women Playwrights as Orientalists." Theatre Journal 47.4 (December 1995): 481-502.
  • Cima, Gay Gibson. "'To Be Public as a Genius and Private as a Woman': The Critical Framing of Nineteenth-Century British Women Playwrights." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Colombo, Claire Miller. "'You All May Boast the Censor's Art': Censorship and Authority in Romantic Drama." PhD. The University of Texas at Austin, 1997.
  • Colon, Christine. "Christianity and Colonial Discourse in Joanna Baillie's The Bride." Renascence: Essays on Values in Literature 54.3 (Spring 2002): 163-76.
  • Cox, Jeffrey N. "Baillie, Siddons, Larpent: Gender, Power, and Politics in The Theatre of Romanticism." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 23-47.
  • ---. "The French Revolution in the English Theatre." History and Myth: Essays on English Romantic Literature. Ed. Stephen Behrendt. Detroit: Wayne State UP, 1990.
  • ---. In the Shadows of Romance: Romantic Tragedy in Germany, England, and France. Athens: Ohio UP, 1987.
  • ---, ed. Seven Abolitionist Dramas. London: Pickering & Chatto, forthcoming.
  • ---, ed. Seven Gothic Dramas, 1789-1825. Athens: Ohio UP, 1994.
  • ---. "Spots in Time: The Structure of the Dramatic Evening in the Theater of Romanticism." Texas Studies in Literature and Language 41.4 (1999): 403-25.
  • Crochunis, Thomas C. "Authorial Performances in Criticism and Theory of Romantic Women Playwrights." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 223-54.
  • ---. "Joanna Baillie's Ambivalent Dramaturgy." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---. "British Women Playwrights around 1800: New Paradigms and Recoveries." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/index.html
  • ---. "Electronic Editing of Women's Theater Materials: Purposes, Contexts, and Questions." British Women Playwrights around 1800.
  • ---. "The Function of the Dramatic Closet at the Present Time." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005820ar.html
  • ---. "The Smell of the Greasepaint, the Roar of the Crowd, the Crinkle of the Archive's Paper." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/newey2.html
  • ---. "The Theatre of Britain, 1789-1832: Recent Scholarship on Post-Revolutionary Performance and Politics." Nineteenth-Century Theatre 24.1 (1996): 42-55.
  • ---, and Michael Eberle Sinatra. "Putting Plays (and More) in Cyberspace: An Overview of the British Women Playwrights around 1800 Project." European Romantic Review 14.1 (March 2003): 117-31.
  • ---, and Michael Eberle-Sinatra. "Editing Electronically Women Playwrights of the Romantic Period." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/nassr99.html
  • ---, Judith Pascoe, and Bruce Graver. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochunis." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • ---, and Janice Elma Patten, eds. Joanna Baillie, Romantic Dramatist: Critical Essays. London: Routledge, 2003.
  • Dakessian, Marie Anne. "'Gems of the East Her Mural Crown Adorn': Representations of India by Late Eighteenth- and Early Nineteenth-Century British Women Writers." PhD. University of California, Los Angeles, 1999.
  • Darby, Barbara. "Family and Feminism in the Plays of Frances Burney." PhD. Queen's University at Kingston, 1995.
  • ---. Frances Burney Dramatist: Gender, Performance, and the Late-Eighteenth-Century Stage. Lexington, Kentucky: U of Kentucky P, 1997.
  • ---. "Frances Burney's Dramatic Mothers." English Studies in Canada 23.1 (March 1997): 37-58.
  • ---. "Tragedy, Feminism, and Frances Burney's Edwy and Elgiva." Journal of Dramatic Theory and Criticism 10.2 (1997): 3-23.
  • Davis, Tracy C. Actresses as Working Women: Their Social Identity in Victorian Culture. London: Routledge, 1991.
  • ---. "The Sociable Playwright and Representative Citizen." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005818ar.html
  • ---. "Theatre, but Wherefore Politics?" Nineteenth-Century Studies 16 (2002): 93-102.
  • ---, and Ellen Donkin, eds. Women and Playwriting in Nineteenth-Century Britain. Cambridge: Cambridge UP, 1999.
  • Decker, Sharon L. "Blurring Boundaries: The Works of Elizabeth Inchbald." PhD. Fordham University, 2002.
  • DeRochi, Jack Edmund. "Drama in the Agee of the Novel: Generic Adaptations." PhD. University of South Carolina, 2003.
  • Domangue, Druann Durbin. "Three Comedies by Eighteenth-Century Playwright Hannah Cowley: 'the Runaway", "Who's the Dupe?", and "The Belle's Stratagem". An Old-Spelling, Critical Edition." PhD. University of Louisiana at Lafayette, 2001.
  • Donkin, Ellen. Getting into the Act: Women Playwrights in London 1776-1829. London: Routledge, 1995.
  • ---. "Mrs. Gore Gives Tit for Tat." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Donohue, Joseph W., Jr. Dramatic Character in the English Romantic Age. Princeton, NJ: Princeton UP, 1970.
  • ---. Theatre in the Age of Kean. Totowa, NJ: Rowman and Littlefield, 1975.
  • Dowd, Maureen A. "'By the Delicate Hand of a Female': Melodramatic Mania and Joanna Baillie's Spectacular Tragedies." European Romantic Review 9.4 (Fall 1998): 469-500.
  • Dowd, Maureen Anne. "'The Monster Melo-Drame': Spectacle, Sensationalism, and the Cultural Performances of Joanna Baillie, Lady Morgan, and M.E. Braddon." PhD. Loyola University of Chicago, 1999.
  • Dugan, James Shackelford. "A Critical Study of the Plays of Elizabeth Inchbald." PhD. University of Toronto, 1979.
  • Durant, Tammy Lynn. "Joanna Baillie and Romantic Drama." PhD. University of Kentucky, 2003.
  • Dwyer, Karen. "Joanna Baillie Plays the Passions: Literature, Science and Medicine." PhD. University of Notre Dame, 2000.
  • East, Joyce E. "The Dramatic Works of Hannah Cowley." PhD. University of Kansas, 1979.
  • Eberle-Sinatra, Michael. "On Editing Women Playwright's Works in an Electronic Environment." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/mes1.html
  • ---, and Thomas C Crochunis. "Editing Electronically Women Playwrights in the Romantic Period." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/nassr99.html
  • Elfenbein, Andrew. "Lesbian Aestheticism on the Eighteenth-Century Stage." Eighteenth-Century Life 25.1 (Winter 2001): 1-16.
  • Escott, Angela. "The School of Eloquence and 'Roasted Square Caps': Oratory and Pedantry as Fair Theatrical Game?" Women's Writing 8.1 (2001): 59-79.
  • Ezell, Margaret J.M. "Revisioning Responding: A Second Look at Women Playwrights around 1800." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005821ar.html
  • Ferguson, Moira. First Feminists: British Women Writers 1578-1799. Bloomington: Indiana UP, 1985.
  • Finberg, Melinda Carol. "Power Plays: Women Playwrights of the Late Eighteenth Century and the Politics of Adaptation." PhD. Princeton University, 2001.
  • Finkel, Alicia. Romantic Stages: Set and Costume Design in Victorian England. Jefferson, NC and London: McFarland & Co., 1996.
  • Flanders, Julia, and Lauryn Mayer. "Real Editions for Real People: Electronic Editing and Women's Theatre Writing." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real1.html
  • Fletcher, Richard M. English Romantic Drama 1795-1843: A Critical History. New York: Exposition, 1966.
  • Forbes, Aileen. "'Sympathetic Curiosity' in Joanna Baillie's Theater of the Passions." European Romantic Review 14.1 (March 2003): 31-48.
  • Franceschina, John, ed. Gore on Stage: The Plays of Catherine Gore. New York: Garland, 1999.
  • ---, ed. Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843. New York: Garland, 1997.
  • Friedman-Romell, Beth H. "Dueling Citizenships: Scottish Patriotism V. British Nationalism in Joanna Baillie's The Family Legend." Nineteenth-Century Theatre 26.1 (1998): 25-49.
  • ---. "Producing the Nation: Nationalism and Gender in the Theatre of Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie." PhD. Northwestern University, 1999.
  • ---. "Staging the State: Joanna Baillie's Constantine Paleologus." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Gamer, Michael Crews. "National Supernationalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38.2 (1997): 49-88.
  • ---. "Popular Stigmas and Appropriate Authors: High Romanticism's Hidden Gothic." PhD. The University of Michigan, 1993.
  • Gaull, Marilyn. "Romantic Theatre." The Wordsworth Circle 14 (1983): 255-63.
  • Gilbert, Deidre. "Joanna Baillie, Passionate Anatomist: Basil and Its Masquerade." Restoration and 18th-Century Theatre Research 16.1 (Summer 2001): 42-54.
  • Gilbert, Deidre Elizabeth. "Joanna Baillie: Passionate Anatomist." PhD. University of Denver, 2003.
  • Gilroy, Amanda. "From Here to Alterity: The Geography of Femininity in the Poetry of Joanna Baillie." A History of Scottish Women's Writing. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.
  • Graver, Bruce, Judith Pascoe, and Thomas C Crochunis. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochunis." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • Green, Katherine S. "'You Should Be My Master': Imperial Recognition Politics in Elizabeth Inchbald's Such Things Are." Clio 27.3 (Spring 1998): 387-414.
  • Hadley, Elaine. "Home as Abroad: Orientalism and Occidentalism in Early English Stage Melodrama." Texas Studies in Literature and Language 41.4 (1999): 330-50.
  • ---. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford: Stanford UP, 1995.
  • ---. "The Old Price Wars: Melodramatizing the Public Sphere's Early Nineteenth-Century England." PMLA 107 (1992): 524-37.
  • Heller, Janet Ruth. Coleridge, Lamb, Hazlitt, and the Reader of Drama. Columbia: U of Missouri P, 1990.
  • Hemlow, Joyce. "Fanny Burney: Playwright." University of Toronto Quarterly 19 (1950): 170-89.
  • Henderson, Andrea. "Passion and Fashion in Joanna Baillie's "Introductory Discourse"." PMLA 112.2 (1997): 198-213.
  • Hoagwood, Terence Allan. "Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the 'Romantic' Period." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Adriana Craciun and Kari E. Lokke. Albany, NY: State U of New York P, 2001. 293-316.
  • ---. "Romantic Drama and Historical Hermeneutics." British Romantic Drama: Historical and Critical Essays. Eds. Terence Allan Hoagwood and Daniel P Watkins. Madison, NJ: Fairliegh Dickinson UP, 1998. 22-55.
  • Hoagwood, Terence Allan, and Daniel P Watkins, eds. British Romantic Drama: Historical and Critical Essays. London: Associated University Presses, 1998.
  • Hume, Robert D, ed. The London Theatre World, 1660-1800. Carbondale: Southern Illinois UP, 1980.
  • ---. The Rakish Stage: Studies in English Drama, 1660-1800. Carbondale: Southern Illinois UP, 1983.
  • Isikoff, Erin. "Masquerade, Modesty, and Comedy in Hannah Cowley's the Belle Stratagem." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. Langhorne, Penn: Gordon and Breach, 1994.
  • Jewett, William. Fatal Autonomy: Romantic Drama and the Rhetoric of Agency. Ithaca: Cornell UP, 1997.
  • Justice, George. "Suppression and Censorship in Late Manuscript Culture: Frances Burney's Unperformed The Witlings." Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800. Eds. George L Justice and Nathan Tinker. Cambridge: Cambridge UP, 2002. 201-22.
  • Kelly, Linda. Richard Brinsley Sheridan. London: Sinclair-Stevenson, 1997.
  • Kemble, Frances Anne. Fanny Kemble: Journal of a Young Actress. Ed. Monica Gough. New York: Columbia UP, 1990.
  • King, W. D. "'Shadow of a Mesmeriser': The Female Body on the 'Dark' Stage." Theatre Journal 49.2 (May 1997): 189-206.
  • Kucich, Greg. "Reviewing Women in British Romantic Theatre." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 48-76.
  • Litvak, Joseph. Caught in the Act: Theatricality and the Nineteenth-Century English Novel. Berkeley: U of California P, 1992.
  • The London Stage, 1660-1800: A Calendar of Plays, Entertainments and Afterpieces, Together with Casts, Box-Receipts, and Contemporary Comment. Carbondale: Southern Illinois UP, 1968.
  • Macheski, Cecilia. "A Feeling Mind: The Early Literary Career of Elizabeth Inchbald (1753-1821)." PhD. City University of New York, 1984.
  • MacMillan, Douglas. Catalogue of the Larpent Plays in the Huntington Library. San Marino, CA: Huntington Library, 1939.
  • Mann, David, Susan Garland Mann, and Camille Garnier, eds. Women Playwrights in England, Ireland, and Scotland, 1660-1823. Bloomington: Indiana UP, 1996.
  • Manvell, Roger. Elizabeth Inchbald: England's Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. New York: Lanham, 1987.
  • Mayer, Lauryn, and Julia Flanders. "Real Editions for Real People: Electronic Editing and Women's Theatre Writing." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real1.html
  • McMillan, Dorothy. "Unromantic Caledon: Representing Scotland in the Family Legend, Metrical Legends, and Witchcraft." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Miller Colombo, Claire. "'This Pen of Mine Will Say Too Much': Public Performance in the Journals of Anna Larpent." Texas Studies in Literature and Language 38.3-4 (Fall/Winter 1996): 285-301.
  • Moody, Jane. "The Electronic Theatre Archive - a Response To Thomas Crochunis "Electronic Editing of Women's Theater Materials: Purposes, Contexts, and Questions." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/cro2.html
  • ---. "'Fine Word, Legitimate': Toward a Theatrical History of Romanticism." Texas Studies in Literature and Language 38.3-4 (Fall/Winter 1996): 223-44.
  • ---. Illegitimate Theatre in London, 1770-1840. Cambridge: Cambridge UP, 2000.
  • ---. "Illusions of Authorship." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "The Silence of New Historicism: A Mutinous Echo from 1830." Nineteenth-Century Theatre 24.2 (1996): 61-89.
  • ---. "Suicide and Translation in the Dramaturgy of Elizabeth Inchbald and Anne Plumptre." Women in British Romantic Theatre: Drama, Performance and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Moskal, Jeanne. "English National Identity in Mariana Starke's the Sword of Peace: India, Abolition, and the Rights of Women." Women in British Romantic Theatre. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • ---. "Napoleon, Nationalism, and the Politics of Religion in Mariana Starke's Letters from Italy." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Kari E. Lokke and Adriana Craciun. Albany: State U of New York P, 2001.
  • ---. "Politics and the Occupation of a Nurse in Mariana Starke's Letters from Italy." Romantic Geographies: This Discourse of Travel in the Romantic Period. Ed. Amanda Gilroy. Manchester: Manchester UP, 2000. 150-64.
  • Mozes, Daniel. "'Remorse without the Fear of Hell': Skepticism and Agency in Romantic Drama." PhD. City University of New York, 1997.
  • Mullenix, Elizabeth Reitz. "'So Unfemininely Masculine': Discourse, True/False Womanhood, and the American Career of Fanny Kemble." Theatre Survey 40.2 (November 1999): 27-42.
  • Murray, Julie. "Governing Economic Man: Joanna Baillie's Theatre of Utility." ELH 70.4 (Winter 2003): 1043-65.
  • Muse, Amy Marlene. "Serious Travesty: Female Hamlets and Subjectivity in Late Georgian England." PhD. Auburn University, 1999.
  • Myers, Mitzi. "War Correspondence: Maria Edgeworth and the En-Gendering of Revolution, Rebellion, and Union." Eighteenth-Century Life 22.3 (November 1998): 74-91.
  • Nachumi, Nora Gabriella. "Acting Like a Lady: British Women Novelists and the Eighteenth-Century Stage." PhD. City University of New York, 1999.
  • ---. "Acting Like a 'Lady': British Women Novelists and the Eighteenth-Century Stage." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005816ar.html
  • Newey, Katherine. "'From a Female Pen': The Proper Lady as Playwright in the West End Theatre, 1823-1844." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Home Plays for Ladies: Women's Work in Home Theatricals." Nineteenth-Century Theatre 26.2 (Winter 1998): 93-111.
  • ---. "Women and History on the Romantic Stage: More, Yearsley, Burney, and Mitford." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • ---. "Women's Theatrical Texts and Contexts." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/newey1.html
  • Nicoll, Allardyce. A History of English Drama, 1660-1800. 4 vols. Cambridge: Cambridge UP, 1992.
  • Nielson, Wendy Christine. "Female Acts of Violence: French Revolutionary Theater in British and German Romantic Drama." PhD. University of California, Davis, 2001.
  • Nineteenth-Century Contexts 15.2 (1992).
  • Noble, Aloma E. "Joanna Baillie as a Dramatic Artist." PhD. The University of Iowa, 1983.
  • O'Quinn, Daniel. "Hannah Cowley's a Day in Turkey and the Political Efficacy of Charles James Fox." European Romantic Review 14.1 (March 2003): 17-30.
  • ---. "Inchbald's Indies: Domestic and Dramatic Re-Orientations." European Romantic Review 9.2 (Spring 1998): 217-30.
  • ---. "Scissors and Needles: Inchbald's Wives as They Were, Maids as They Are and the Governance of Sexual Exchange." Theatre Journal 51 (1999): 105-25.
  • Otten, Terry. The Deserted Stage: The Search for Dramatic Form in Nineteenth-Century England. Athens: Ohio UP, 1972.
  • Park, Bruce Robertson. "Thomas Holcroft and Elizabeth Inchbald: Studies in the Eighteenth-Century Drama of Ideas." PhD. Columbia University, 1952.
  • Pascoe, Judith. Romantic Theatricality: Gender, Poetry, and Spectatorship. Ithaca: Cornell UP, 1997.
  • Pascoe, Judith, Bruce Graver, and Thomas C Crochunis. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochinus." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • Patten, Janice Elma. "Dark Imagination: Poetic Painting in Romantic Drama." PhD. University of California, Santa Cruz, 1992.
  • Pearson, Jacqueline. "Crushing the Convent and the Dread Bastille: The Anglo-Saxons, Revolution and Gender in Women's Plays of the 1790s." Literary Appropriations of the Anglo-Saxons from The Thirteenth to the Twentieth Century. Eds. Donald Scragg and Carole Weinberg. Cambridge: Cambridge UP, 2000. 122-37.
  • Pedley, Colin. "'Terrific and Unprincipled Compositions': The Reception of Lovers' Vows and Mansfield Park." Philological Quarterly 74.3 (1995): 297-316.
  • Pitcher, E. W. "Mariana Starke and Millicent Thomas: Early Translators of Genlis's Le Theatre a L'usage Des Jeunes Personnes (1779-1780)." Notes and Queries 45.243 (March 1998): 81-82.
  • Pratt, Kathryn. "Charlotte Smith's Melancholia on the Page and Stage." SEL 41.3 (Summer 2001): 563-81.
  • Pratt, Kathryn Jane. "The Melancholy Stage in British Literature, 1780-1830." PhD. Vanderbilt University, 2001.
  • Purinton, Marjean D. "Ideology Unmasked and Fictions Revealed: The Mentally Constructed Tyrannies of English Romantic Drama." PhD. Texas A&M University, 1991.
  • ---. "Pedagogy and the Passions: Teaching Joanna Baillie's Drama." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---. "Polysexualities and Romantic Generations in March Shelley's Mythological Dramas Midas and Proserpine." Women's Writing 6.3 (1999): 385-411.
  • ---. "Representations of the Irish in Romantic Drama." Prism(s): Essays in Romanticism 7 (1999): 133-48.
  • ---. "Revising Romanticism by Inscripting Women Playwrights." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005822ar.html
  • ---. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Drama of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: U of Delaware P, 1994.
  • ---. "Science Fiction and Techno-Gothic Drama: Romantic Playwrights Joanna Baillie and Jane Scott." Romanticism on the Net 21 (February 2001). http://www.erudit.org/revue/ron/2001/v/n21/005968ar.html
  • ---. "The Sexual Politics of the Election: French Feminism and the Scottish Playwright Joanna Baillie." Intertexts 2.2 (Fall 1998): 119-30.
  • ---. "Socialized and Medicalized Hysteria in Joanna Baillie's Witchcraft." Prism(s): Essays in Romanticism 9 (2001): 139-56.
  • ---. "Women's Sovereignty on Trial: Joanna Baillie's Comedy the Tryal as Meta-Theatrics." Women in British Romantic Theatre: Drama, Performance and Society. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Ranger, Paul. 'Terror and Piety Reigned in Every Breast': Gothic Drama in the London Patent Theatres, 1750-1820. London: The Society for Theatre Research, 1991.
  • Rees, Terence, and David Wilmore, eds. British Theatrical Patents, 1801-1990. London: The Society for Theatre Research, 1996.
  • Richards, Sandra. The Rise of the English Actress. New York: St. Martin's, 1993.
  • Richardson, Alan. A Mental Theatre: Poetic Drama and Consciousness in the Romantic Age. University Park: Pennsylvania State UP, 1988.
  • Rubik, Margaret. Early Women Dramatists, 1550-1800. Basingstoke and New York: Macmillan and St Martin's, 1998.
  • Russell, Gillian. The Theatres of War: Performance, Politics, and Society, 1793-1815. Oxford: Clarendon UP, 1995.
  • Sabor, Peter. "'Alter'd, Improved, Copied, Abridged': Alexandre D'arblay's Revisions to Edwy and Elgiva." Lumen 14 (1995): 127-37.
  • ---, ed. The Complete Plays of Frances Burney. 2 vols. London and Montreal & Kingston: Pickering and McGill-Queen's UP, 1995.
  • ---. "The Rediscovery of Burney's Drama." Lumen 8 (1994): 145-56.
  • Schofield, Mary Anne, and Cecilia Macheski, eds. Curtain Calls: British and American Women and the Theatre, 1660-1820. Athens: Ohio UP, 1991.
  • Scoinicov, Hanna. Women's Theatrical Space. Cambridge: Cambridge UP, 1994.
  • Scullion, Adrienne, ed. Female Playwrights of the Nineteenth Century. London: J.M. Dent, 1996.
  • ---. "Some Women of the Nineteenth-Century Scottish Theatre: Joanna Baillie, Frances Wright and Helen Macgregor." A History of Scottish Women's Writings. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Sherman, Sandra. "'Does Your Ladyship Mean an Extempore?' Wit, Leisure, and the Mode of Production in Frances Burney's the Witlings." Centennial Review 40.2 (1996): 401-28.
  • Simons, Judy. Fanny Burney. Totowa, NJ: Barnes and Noble, 1987.
  • Simpson, Michael. "Byron's Cain at the Barbicon Centre, London (Nov 9, 1995 to Nov 7, 1996)." European Romantic Review 8.1 (1997): 41-46.
  • ---. Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley. Stanford: Stanford UP, 1998.
  • ---. "Re-Opening after the Old Price Riots: War and Peace at Drury Lane." Texas Studies in Literature and Language 41.4 (1999): 378-402.
  • Slagle, Judith Bailey. "Evolution of a Writer: Joanna Baillie's Life in Letters." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Sohi, Behzad Ghaderi. "Theatres of the Mind: A Comparative Study of British Romantic Dramatists with Five Contemporary Dramatists." PhD. University of Essex, 1997.
  • Spencer, Jane. "Adapting Aphra Behn: Hannah Cowley's a School for Greybeards and the Lucky Chance." Women's Writing 2.3 (1995): 221-34.
  • Stephens, John Russell. The Profession of the Playwright: British Theatre 1800-1900. Cambridge: Cambridge UP, 1992.
  • Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Identity. Princeton, NJ: Princeton UP, 1992.
  • Studies in Romanticism 33.1 (1994).
  • Sutherland, Kathryn. "The Return of the Editor - a Response to Lauryn Mayer and Julia Flanders, 'Real Editions for Real People: Electronic Editing and Women's Theatre Writing'." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real2.html
  • Swanson, Michael David. "'the Vehicle of Delight and Morality': Humor and Sentiment in the Plays of John O'Keefe as a Reflection of Late Eighteenth Century English Theatrical Comedy." PhD. The Ohio State University, 1991.
  • Texas Studies in Literature and Language 38.3-4 (1996).
  • Thompson, Eva M. "Mary Prince, and Contexts for the "History of Mary Prince, a West Indian Slave, Related by Herself"." PhD. The Ohio State University, 1998.
  • Thompson, Peggy. "'Strange Animation and Vigour': Self-Representation in Frances Burney's The Witlings." Restoration and 18th-Century Theatre Research 12.2 (Winter 1997): 15-25.
  • Tonnies, Merle. Mar(R)-Ing Gender Mythology and Genre Laws: Images of The Queen of Scots in Nineteenth Century British Drama. Anglistentag 1998 Erfurt. Eds. Fritz Wilhelm Neumann and Sabine Schulting. Trier, Germany: Wissenschaftlicher, 1999. 475-84.
  • Vince, R.W. "Theatre History as an Academic Discipline." Interpreting the Theatrical Past: Essays in the Historiography of Performance. Eds. Thomas Postlewait and Bruce A. McConachie. Iowa City: U of Iowa P, 1989.
  • Waldron, Donna Evelyn. "Hannah Cowley: Drama and the Female Author in the Late Eighteenth Century." PhD. Duquesne University, 2000.
  • Walen, Denise A. "Sapho in the Closet." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Wallace, Elizabeth Kowaleski. "Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem." Comparative Drama 35.3-4 (2001-2002): 415-33.
  • Watkins, Daniel P. A Materialist Critique of English Romantic Drama. Gainesville: UP of Florida, 1993.
  • The Wordsworth Circle 23.2 (1992).
  • Yudin, Mary F. "Women Dramatists of the Nineteenth Century and the Domestic Drama: Joanna Baillie, Charlotte Birch-Pfeiffer, and Gertrudis Gomez De Avellaneda." PhD. The Pennsylvania State University, 1995.
  • Yun, Eleana. "Political Philosophy in the Comedies of Eglinton Wallace." MA. University of Alberta, 1994.
  • Zelicovici, Dvora. "The Inefficacy of Lovers' Vows." ELH 50.3 (1983): 531-40.
    • Top

    Joanna Baillie

  • Anderson, Julie. "Spectacular Spectators: Regendering the Male Gaze in Delariviere Manley's the Royal Mischief and Joanna Baillie's Orra." Enculturation: A Journal for Rhetoric, Writing, and Culture 3.2 (Fall 2001).
  • Bardsley, Alyson Margaret. "'Romantic Caledon' or 'Sister Kingdom'? The Ambivalence of Cultural Nationalism in Scottish Romantic Writing." PhD. University of California, Berkeley, 1997.
  • Bennett, Susan. "Genre Trouble: Joanna Baillie, Elizabeth Polack -- Tragic Subjects, Melodramatic Subjects." Women and Playwriting in Century-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Outing Joanna Baillie." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 161-77.
  • Brewer, William D. "Joanna Baillie and Lord Byron." Keats-Shelley Journal 44 (1995): 165-81.
  • Brigham, Linda. "Aristocratic Monstrosity and Sublime Femininity in De Monfort." SEL 43.3 (Summer 2003): 701-18.
  • Bugajski, Ken A. "Joanna Baillie: An Annotated Bibliography." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005817ar.html
  • Burroughs, Catherine. Closet Stages: Joanna Baillie and the Theatre Theory of British Romantic Women Writers. Philadelphia: U of Pennsylvania P, 1997.
  • ---. "The English Romantic Closet: Women Theatre Artists, Joanna Baillie, and Basil." Nineteenth-Century Contexts 19.2 (1995): 125-49.
  • Burwick, Frederick. "Joanna Baillie, Matthew Baillie, and the Pathology of The Passions." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Carney, Sean. "The Passion of Joanna Baillie: Playwright as Martyr." Theatre Journal 52 (2000): 227-52.
  • Colombo, Claire Miller. "'You All May Boast the Censor's Art': Censorship and Authority in Romantic Drama." PhD. The University of Texas at Austin, 1997.
  • Colon, Christine. "Christianity and Colonial Discourse in Joanna Baillie's the Bride." Renascence: Essays on Values in Literature 54.3 (Spring 2002): 163-76.
  • Crochunis, Thomas C. "Joanna Baillie's Ambivalent Dramaturgy." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---, ed. Joanna Baillie, Romantic Dramatist: Critical Essays. London: Routledge, 2004.
  • Dakessian, Marie Anne. "'Gems of the East Her Mural Crown Adorn': Representations of India by Late Eighteenth- and Early Nineteenth-Century British Women Writers." PhD. University of California, Los Angeles, 1999.
  • Dowd, Maureen A. "'By the Delicate Hand of a Female': Melodramatic Mania and Joanna Baillie's Spectacular Tragedies." European Romantic Review 9.4 (Fall 1998): 469-500.
  • Dowd, Maureen Anne. "'The Monster Melo-Drame': Spectacle, Sensationalism, and the Cultural Performances of Joanna Baillie, Lady Morgan, and M.E. Braddon." PhD. Loyola University of Chicago, 1999.
  • Durant, Tammy Lynn. "Joanna Baillie and Romantic Drama." PhD. University of Kentucky, 2003.
  • Dwyer, Karen. "Joanna Baillie Plays the Passions: Literature, Science and Medicine." PhD. University of Notre Dame, 2000.
  • Forbes, Aileen. "'Sympathetic Curiosity' in Joanna Baillie's Theater of the Passions." European Romantic Review 14.1 (March 2003): 31-48.
  • Friedman-Romell, Beth H. "Dueling Citizenships: Scottish Patriotism V. British Nationalism in Joanna Baillie's The Family Legend." Nineteenth-Century Theatre 26.1 (1998): 25-49.
  • ---. "Producing the Nation: Nationalism and Gender in the Theatre of Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie." PhD. Northwestern University, 1999.
  • ---. "Staging the State: Joanna Baillie's Constantine Paleologus." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Gamer, Michael Crews. "National Supernationalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38.2 (1997): 49-88.
  • ---. "Popular Stigmas and Appropriate Authors: High Romanticism's Hidden Gothic." PhD. The University of Michigan, 1993.
  • Gilbert, Deidre. "Joanna Baillie, Passionate Anatomist: Basil and Its Masquerade." Restoration and 18th-Century Theatre Research 16.1 (Summer 2001): 42-54.
  • Gilroy, Amanda. "From Here to Alterity: The Geography of Femininity in the Poetry of Joanna Baillie." A History of Scottish Women's Writing. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Henderson, Andrea. "Passion and Fashion in Joanna Baillie's "Introductory Discourse"." PMLA 112.2 (1997): 198-213.
  • Hoagwood, Terence Allan. "Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the 'Romantic' Period." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Adriana Craciun and Kari E. Lokke. Albany, NY: State U of New York P, 2001. 293-316.
  • McMillan, Dorothy. "Unromantic Caledon: Representing Scotland in the Family Legend, Metrical Legends, and Witchcraft." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Mozes, Daniel. "'Remorse without the Fear of Hell': Skepticism and Agency in Romantic Drama." PhD. City University of New York, 1997.
  • Murray, Julie. "Governing Economic Man: Joanna Baillie's Theatre of Utility." ELH 70.4 (Winter 2003): 1043-65.
  • Noble, Aloma E. "Joanna Baillie as a Dramatic Artist." PhD. The University of Iowa, 1983.
  • Patten, Janice Elma. "Dark Imagination: Poetic Painting in Romantic Drama." PhD. University of California, Santa Cruz, 1992.
  • Pratt, Kathryn Jane. "The Melancholy Stage in British Literature, 1780-1830." PhD. Vanderbilt University, 2001.
  • Purinton, Marjean D. "Ideology Unmasked and Fictions Revealed: The Mentally Constructed Tyrannies of English Romantic Drama." PhD. Texas A&M University, 1991.
  • ---. "Pedagogy and the Passions: Teaching Joanna Baillie's Drama." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Drama of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: U of Delaware P, 1994.
  • ---. "Science Fiction and Techno-Gothic Drama: Romantic Playwrights Joanna Baillie and Jane Scott." Romanticism on the Net 21 (February 2001). http://www.erudit.org/revue/ron/2001/v/n21/005968ar.html
  • ---. "The Sexual Politics of the Election: French Feminism and the Scottish Playwright Joanna Baillie." Intertexts 2.2 (Fall 1998): 119-30.
  • ---. "Socialized and Medicalized Hysteria in Joanna Baillie's Witchcraft." Prism(s): Essays in Romanticism 9 (2001): 139-56.
  • ---. "Women's Sovereignty on Trial: Joanna Baillie's Comedy the Tryal as Meta-Theatrics." Women in British Romantic Theatre: Drama, Performance and Society. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Scullion, Adrienne. "Some Women of the Nineteenth-Century Scottish Theatre: Joanna Baillie, Frances Wright and Helen Macgregor." A History of Scottish Women's Writings. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Slagle, Judith Bailey. "Evolution of a Writer: Joanna Baillie's Life in Letters." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Sohi, Behzad Ghaderi. "Theatres of the Mind: A Comparative Study of British Romantic Dramatists with Five Contemporary Dramatists." PhD. University of Essex, 1997.
  • Swanson, Michael David. "'the Vehicle of Delight and Morality': Humor and Sentiment in the Plays of John O'Keefe as a Reflection of Late Eighteenth Century English Theatrical Comedy." PhD. The Ohio State University, 1991.
  • Yudin, Mary F. "Women Dramatists of the Nineteenth Century and the Domestic Drama: Joanna Baillie, Charlotte Birch-Pfeiffer, and Gertrudis Gomez De Avellaneda." PhD. The Pennsylvania State University, 1995.
    • Top

    France Burney

  • Chisolm, Kate. Fanny Burney: Her Life. London: Chatto & Windus, 1998.
  • Darby, Barbara. "Family and Feminism in the Plays of Frances Burney." PhD. Queen's University at Kingston, 1995.
  • ---. Frances Burney Dramatist: Gender, Performance, and the Late-Eighteenth-Century Stage. Lexington, Kentucky: U of Kentucky P, 1997.
  • ---. "Frances Burney's Dramatic Mothers." English Studies in Canada 23.1 (March 1997): 37-58.
  • ---. "Tragedy, Feminism, and Frances Burney's Edwy and Elgiva." Journal of Dramatic Theory and Criticism 10.2 (1997): 3-23.
  • Hemlow, Joyce. "Fanny Burney: Playwright." University of Toronto Quarterly 19 (1950): 170-89.
  • Justice, George. "Suppression and Censorship in Late Manuscript Culture: Frances Burney's Unperformed The Witlings." Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800. Eds. George L Justice and Nathan Tinker. Cambridge: Cambridge UP, 2002. 201-22.
  • Nachumi, Nora Gabriella. "Acting Like a Lady: British Women Novelists and the Eighteenth-Century Stage." PhD. City University of New York, 1999.
  • Newey, Katherine. "Women and History on the Romantic Stage: More, Yearsley, Burney, and Mitford." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Pearson, Jacqueline. "Crushing the Convent and the Dread Bastille: The Anglo-Saxons, Revolution and Gender in Women's Plays of the 1790s." Literary Appropriations of the Anglo-Saxons from The Thirteenth to the Twentieth Century. Eds. Donald Scragg and Carole Weinberg. Cambridge: Cambridge UP, 2000. 122-37.
  • Sabor, Peter. "'Alter'd, Improved, Copied, Abridged': Alexandre D'arblay's Revisions to Edwy and Elgiva." Lumen 14 (1995): 127-37.
  • ---, ed. The Complete Plays of Frances Burney. 2 vols. London and Montreal & Kingston: Pickering and McGill-Queen's UP, 1995.
  • ---. "The Rediscovery of Burney's Drama." Lumen 8 (1994): 145-56.
  • Sherman, Sandra. "'Does Your Ladyship Mean an Extempore?' Wit, Leisure, and the Mode of Production in Frances Burney's The Witlings." Centennial Review 40.2 (1996): 401-28.
  • Simons, Judy. Fanny Burney. Totowa, NJ: Barnes and Noble, 1987.
  • Thompson, Peggy. "'Strange Animation and Vigour': Self-Representation in Frances Burney's The Witlings." Restoration and 18th-Century Theatre Research 12.2 (Winter 1997): 15-25.
    • Top

    Hannah Cowley

  • Choudhury, Mita. "Gazing at His Seraglio: Late Eighteenth-Century Women Playwrights as Orientalists." Theatre Journal 47.4 (December 1995): 481-502.
  • DeRochi, Jack Edmund. "Drama in the Agee of the Novel: Generic Adaptations." PhD. University of South Carolina, 2003.
  • Domangue, Druann Durbin. "Three Comedies by Eighteenth-Century Playwright Hannah Cowley: 'The Runaway", "Who's the Dupe?", and "The Belle's Stratagem". An Old-Spelling, Critical Edition." PhD. University of Louisiana at Lafayette, 2001.
  • East, Joyce E. "The Dramatic Works of Hannah Cowley." PhD. University of Kansas, 1979.
  • Elfenbein, Andrew. "Lesbian Aestheticism on the Eighteenth-Century Stage." Eighteenth-Century Life 25.1 (Winter 2001): 1-16.
  • Escott, Angela. "The School of Eloquence and 'Roasted Square Caps': Oratory and Pedantry as Fair Theatrical Game?" Women's Writing 8.1 (2001): 59-79.
  • Finberg, Melinda Carol. "Power Plays: Women Playwrights of the Late Eighteenth Century and the Politics of Adaptation." PhD. Princeton University, 2001.
  • Friedman-Romell, Beth H. "Producing the Nation: Nationalism and Gender in the Theatre of Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie." PhD. Northwestern University, 1999.
  • Isikoff, Erin. "Masquerade, Modesty, and Comedy in Hannah Cowley's the Belle Stratagem." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. Langhorne, Penn: Gordon and Breach, 1994.
  • O'Quinn, Daniel. "Hannah Cowley's a Day in Turkey and the Political Efficacy of Charles James Fox." European Romantic Review 14.1 (March 2003): 17-30.
  • Spencer, Jane. "Adapting Aphra Behn: Hannah Cowley's a School for Greybeards and the Lucky Chance." Women's Writing 2.3 (1995): 221-34.
  • Swanson, Michael David. "'The Vehicle of Delight and Morality': Humor and Sentiment in the Plays of John O'Keefe as a Reflection of Late Eighteenth Century English Theatrical Comedy." PhD. The Ohio State University, 1991.
  • Waldron, Donna Evelyn. "Hannah Cowley: Drama and the Female Author in the Late Eighteenth Century." PhD. Duquesne University, 2000.
  • Wallace, Elizabeth Kowaleski. "Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem." Comparative Drama 35.3-4 (2001-2002): 415-33.
    • Top

    Catherine Gore

  • Anderson, Bonnie. "The Writings of Catherine Gore." Journal of Popular Culture X.2 (1976): 404-23.
  • Donkin, Ellen. "Mrs. Gore Gives Tit for Tat." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Franceschina, John, ed. Gore on Stage: The Plays of Catherine Gore. New York: Garland, 1999.
  • ---, ed. Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843. New York: Garland, 1997.
    • Top

    Elizabeth Inchbald

  • Bolton, Betsy. "Farce, Romance, Empire: Elizabeth Inchbald and Colonial Discourse." Eighteenth Century 39.1 (Spring 1998): 3-24.
  • Carlson, Julia A. "Remaking Love: Remorse in the Theatre of Baillie and Inchbald." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 285-310.
  • Carlson, Marvin. "Elizabeth Inchbald: A Woman Critic in Her Theatrical Culture." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 207-22.
  • Choudhury, Mita. "Gazing at His Seraglio: Late Eighteenth-Century Women Playwrights as Orientalists." Theatre Journal 47.4 (December 1995): 481-502.
  • Decker, Sharon L. "Blurring Boundaries: The Works of Elizabeth Inchbald." PhD. Fordham University, 2002.
  • DeRochi, Jack Edmund. "Drama in the Age of the Novel: Generic Adaptations." PhD. University of South Carolina, 2003.
  • Dugan, James Shackelford. "A Critical Study of the Plays of Elizabeth Inchbald." PhD. University of Toronto, 1979.
  • Friedman-Romell, Beth H. "Producing the Nation: Nationalism and Gender in the Theatre of Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie." PhD. Northwestern University, 1999.
  • Green, Katherine S. "'You Should Be My Master': Imperial Recognition Politics in Elizabeth Inchbald's Such Things Are." Clio 27.3 (Spring 1998): 387-414.
  • Hoagwood, Terence Allan. "Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the 'Romantic' Period." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Adriana Craciun and Kari E. Lokke. Albany, NY: State U of New York P, 2001. 293-316.
  • ---. "Romantic Drama and Historical Hermeneutics." British Romantic Drama: Historical and Critical Essays. Eds. Terence Allan Hoagwood and Daniel P Watkins. Madison, NJ: Fairliegh Dickinson UP, 1998. 22-55.
  • Manvell, Roger. Elizabeth Inchbald: England's Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. New York: Lanham, 1987.
  • Moody, Jane. "Suicide and Translation in the Dramaturgy of Elizabeth Inchbald and Anne Plumptre." Women in British Romantic Theatre: Drama, Performance and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Muse, Amy Marlene. "Serious Travesty: Female Hamlets and Subjectivity in Late Georgian England." PhD. Auburn University, 1999.
  • Nachumi, Nora Gabriella. "Acting Like a Lady: British Women Novelists and the Eighteenth-Century Stage." PhD. City University of New York, 1999.
  • Nielson, Wendy Christine. "Female Acts of Violence: French Revolutionary Theater in British and German Romantic Drama." PhD. University of California, Davis, 2001.
  • O'Quinn, Daniel. "Inchbald's Indies: Domestic and Dramatic Re-Orientations." European Romantic Review 9.2 (Spring 1998): 217-30.
  • ---. "Scissors and Needles: Inchbald's Wives as They Were, Maids as They Are and the Governance of Sexual Exchange." Theatre Journal 51 (1999): 105-25.
  • Park, Bruce Robertson. "Thomas Holcroft and Elizabeth Inchbald: Studies in the Eighteenth-Century Drama of Ideas." PhD. Columbia University, 1952.
  • Swanson, Michael David. "'The Vehicle of Delight and Morality': Humor and Sentiment in the Plays of John O'Keefe as a Reflection of Late Eighteenth Century English Theatrical Comedy." PhD. The Ohio State University, 1991.
    • Top

    Frances Kemble

  • Booth, Alison. "From Miranda to Prospero: The Works of Fanny Kemble." Victorian Studies 38.2 (Winter 1995): 227-54.
  • Burroughs, Catherine. "'Be Good!': Acting, Reader's Theater, Oratory in Frances Anne Kemble's Writing." Romanticism and Women Poets: Opening the Doors of Reception. Eds. Harriet Kramer Linkin and Stephen Behrendt. Lexington, Kentucky: UP of Kentucky, 1999.
  • Kemble, Frances Anne. Fanny Kemble: Journal of a Young Actress. Ed. Monica Gough. New York: Columbia UP, 1990.
  • King, W. D. "'Shadow of a Mesmeriser': The Female Body on the 'Dark' Stage." Theatre Journal 49.2 (May 1997): 189-206.
  • Mullenix, Elizabeth Reitz. "'So Unfemininely Masculine': Discourse, True/False Womanhood, and the American Career of Fanny Kemble." Theatre Survey 40.2 (November 1999): 27-42.
  • Thompson, Eva M. "Mary Prince, and Contexts for the "History of Mary Prince, a West Indian Slave, Related by Herself"." PhD. The Ohio State University, 1998.
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    Sophia Lee

  • Burroughs, Catherine. "British Women Playwrights and The Staging of Female Sexual Initiation: Sophia Lee's the Chapter of Accidents (1780)." European Romantic Review 14.1 (March 2003): 7-16.
    • Top

    Mary Russell Mitford

  • Newey, Katherine. "Women and History on the Romantic Stage: More, Yearsley, Burney, and Mitford." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
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    Jane Scott

  • Bratton, J. S. "Jane Scott the Writer Manager." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Bratton, Jacky, and Gilli Bush-Bailey, and DT2323A semester 97/8B. "The Management of Laughter: Jane Scott's Camilla the Amazon in 1998." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 178-204.
  • Purinton, Marjean D. "Science Fiction and Techno-Gothic Drama: Romantic Playwrights Joanna Baillie and Jane Scott." Romanticism on the Net 21 (February 2001). http://www.erudit.org/revue/ron/2001/v/n21/005968ar.html
    • Top

    Charlotte Smith

  • Pratt, Kathryn. "Charlotte Smith's Melancholia on the Page and Stage." SEL 41.3 (Summer 2001): 563-81.
  • Pratt, Kathryn Jane. "The Melancholy Stage in British Literature, 1780-1830." PhD. Vanderbilt University, 2001.
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    Mariana Starke

  • Dakessian, Marie Anne. "'Gems of the East Her Mural Crown Adorn': Representations of India by Late Eighteenth- and Early Nineteenth-Century British Women Writers." PhD. University of California, Los Angeles, 1999.
  • Moskal, Jeanne. "English National Identity in Mariana Starke's The Sword of Peace: India, Abolition, and the Rights of Women." Women in British Romantic Theatre. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • ---. "Napoleon, Nationalism, and the Politics of Religion in Mariana Starke's Letters from Italy." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Kari E. Lokke and Adriana Craciun. Albany: State U of New York P, 2001.
  • ---. "Politics and the Occupation of a Nurse in Mariana Starke's Letters from Italy." Romantic Geographies: This Discourse of Travel in the Romantic Period. Ed. Amanda Gilroy. Manchester: Manchester UP, 2000. 150-64.
  • Pitcher, E. W. "Mariana Starke and Millicent Thomas: Early Translators of Genlis's Le Theatre a L'usage Des Jeunes Personnes (1779-1780)." Notes and Queries 45.243 (March 1998): 81-82.
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    Journal Articles

  • Anderson, Bonnie. "The Writings of Catherine Gore." Journal of Popular Culture X.2 (1976): 404-23.
  • Anderson, Julie. "Spectacular Spectators: Regendering the Male Gaze in Delariviere Manley's the Royal Mischief and Joanna Baillie's Orra." Enculturation: A Journal for Rhetoric, Writing, and Culture 3.2 (Fall 2001).
  • Backscheider, Paula R. "Reflections on the Importance of Romantic Drama." Texas Studies in Literature and Language 41.4 (1999): 311-29.
  • Bolton, Betsy. "Farce, Romance, Empire: Elizabeth Inchbald and Colonial Discourse." Eighteenth Century 39.1 (Spring 1998): 3-24.
  • Booth, Alison. "From Miranda¦nbsp; to Prospero: The Works of Fanny Kemble." Victorian Studies 38.2 (Winter 1995): 227-54.
  • Bratton, J. S. "Miss Scott and Miss Macauley: 'Genius Comes in All Disguises'." Theatre Survey 37.1 (May 1996): 59-74.
  • Brewer, William D. "Joanna Baillie and Lord Byron." Keats-Shelley Journal 44 (1995): 165-81.
  • Brigham, Linda. "Aristocratic Monstrosity and Sublime Femininity in De Monfort." SEL 43.3 (Summer 2003): 701-18.
  • Bugajski, Ken A. "Joanna Baillie: An Annotated Bibliography." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005817ar.html
  • Burroughs, Catherine. "British Women Playwrights and The Staging of Female Sexual Initiation: Sophia Lee's The Chapter of Accidents (1780)." European Romantic Review 14.1 (March 2003): 7-16.
  • ---. "The English Romantic Closet: Women Theatre Artists, Joanna Baillie, and Basil." Nineteenth-Century Contexts 19.2 (1995): 125-49.
  • ---. "Teaching the Theory and Practice of Women's Dramaturgy." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005823ar.html
  • Carney, Sean. "The Passion of Joanna Baillie: Playwright as Martyr." Theatre Journal 52 (2000): 227-52.
  • Cave, Richard. "Romantic Drama in Performance." The Romantic Theatre: An International Symposium. Ed. Richard Cave. Gerrards, Cross, Buckinghamshire: Collin Smythe, 1986.
  • Chandler, David. "'The Conflict': Hannah Brand and Theatre Politics in the 1790s." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005819ar.html
  • Choudhury, Mita. "Gazing at His Seraglio: Late Eighteenth-Century Women Playwrights as Orientalists." Theatre Journal 47.4 (December 1995): 481-502.
  • Colon, Christine. "Christianity and Colonial Discourse in Joanna Baillie's The Bride." Renascence: Essays on Values in Literature 54.3 (Spring 2002): 163-76.
  • Cox, Jeffrey N. "The French Revolution in the English Theatre." History and Myth: Essays on English Romantic Literature. Ed. Stephen Behrendt. Detroit: Wayne State UP, 1990.
  • ---. "Spots in Time: The Structure of the Dramatic Evening in the Theater of Romanticism." Texas Studies in Literature and Language 41.4 (1999): 403-25.
  • Crochunis, Thomas C. "British Women Playwrights around 1800: New Paradigms and Recoveries." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/index.html
  • ---. "Electronic Editing of Women's Theater Materials: Purposes, Contexts, and Questions." British Women Playwrights around 1800.
  • ---. "The Function of the Dramatic Closet at the Present Time." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005820ar.html
  • ---. "The Smell of the Greasepaint, the Roar of the Crowd, the Crinkle of the Archive's Paper." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/newey2.html
  • ---. "The Theatre of Britain, 1789-1832: Recent Scholarship on Post-Revolutionary Performance and Politics." Nineteenth-Century Theatre 24.1 (1996): 42-55.
  • ---, and Michael Eberle Sinatra. "Putting Plays (and More) in Cyberspace: An Overview of the British Women Playwrights around 1800 Project." European Romantic Review 14.1 (March 2003): 117-31.
  • ---, and Michael Eberle-Sinatra. "Editing Electronically Women Playwrights of the Romantic Period." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/nassr99.html
  • ---, Judith Pascoe, and Bruce Graver. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochunis." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • Darby, Barbara. "Frances Burney's Dramatic Mothers." English Studies in Canada 23.1 (March 1997): 37-58.
  • ---. "Tragedy, Feminism, and Frances Burney's Edwy and Elgiva." Journal of Dramatic Theory and Criticism 10.2 (1997): 3-23.
  • Davis, Tracy C. "The Sociable Playwright and Representative Citizen." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005818ar.html
  • ---. "Theatre, but Wherefore Politics?" Nineteenth-Century Studies 16 (2002): 93-102.
  • Dowd, Maureen A. "'By the Delicate Hand of a Female': Melodramatic Mania and Joanna Baillie's Spectacular Tragedies." European Romantic Review 9.4 (Fall 1998): 469-500.
  • Eberle-Sinatra, Michael. "On Editing Women Playwright's Works in an Electronic Environment." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/mes1.html
  • ---, and Thomas C Crochunis. "Editing Electronically Women Playwrights in the Romantic Period." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/nassr99.html
  • Elfenbein, Andrew. "Lesbian Aestheticism on the Eighteenth-Century Stage." Eighteenth-Century Life 25.1 (Winter 2001): 1-16.
  • Escott, Angela. "The School of Eloquence and 'Roasted Square Caps': Oratory and Pedantry as Fair Theatrical Game?" Women's Writing 8.1 (2001): 59-79.
  • Ezell, Margaret J.M. "Revisioning Responding: A Second Look at Women Playwrights around 1800." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005821ar.html
  • Flanders, Julia, and Lauryn Mayer. "Real Editions for Real People: Electronic Editing and Women's Theatre Writing." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real1.html
  • Forbes, Aileen. "'Sympathetic Curiosity' in Joanna Baillie's Theater of the Passions." European Romantic Review 14.1 (March 2003): 31-48.
  • Friedman-Romell, Beth H. "Dueling Citizenships: Scottish Patriotism V. British Nationalism in Joanna Baillie's The Family Legend." Nineteenth-Century Theatre 26.1 (1998): 25-49.
  • Gamer, Michael Crews. "National Supernationalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38.2 (1997): 49-88.
  • Gaull, Marilyn. "Romantic Theatre." The Wordsworth Circle 14 (1983): 255-63.
  • Gilbert, Deidre. "Joanna Baillie, Passionate Anatomist: Basil and Its Masquerade." Restoration and 18th-Century Theatre Research 16.1 (Summer 2001): 42-54.
  • Graver, Bruce, Judith Pascoe, and Thomas C Crochunis. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochunis." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • Hadley, Elaine. "Home as Abroad: Orientalism and Occidentalism in Early English Stage Melodrama." Texas Studies in Literature and Language 41.4 (1999): 330-50.
  • Hemlow, Joyce. "Fanny Burney: Playwright." University of Toronto Quarterly 19 (1950): 170-89.
  • Isikoff, Erin. "Masquerade, Modesty, and Comedy in Hannah Cowley's the Belle Stratagem." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. Langhorne, Penn: Gordon and Breach, 1994.
  • King, W. D. "'Shadow of a Mesmeriser': The Female Body on the 'Dark' Stage." Theatre Journal 49.2 (May 1997): 189-206.
  • Mayer, Lauryn, and Julia Flanders. "Real Editions for Real People: Electronic Editing and Women's Theatre Writing." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real1.html
  • Miller Colombo, Claire. "'This Pen of Mine Will Say Too Much': Public Performance in the Journals of Anna Larpent." Texas Studies in Literature and Language 38.3-4 (Fall/Winter 1996): 285-301.
  • Moody, Jane. "The Electronic Theatre Archive - a Response To Thomas Crochunis "Electronic Editing of Women's Theater Materials: Purposes, Contexts, and Questions." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/cro2.html
  • ---. "'Fine Word, Legitimate': Toward a Theatrical History of Romanticism." Texas Studies in Literature and Language 38.3-4 (Fall/Winter 1996): 223-44.
  • ---. "The Silence of New Historicism: A Mutinous Echo from 1830." Nineteenth-Century Theatre 24.2 (1996): 61-89.
  • Mullenix, Elizabeth Reitz. "'So Unfemininely Masculine': Discourse, True/False Womanhood, and the American Career of Fanny Kemble." Theatre Survey 40.2 (November 1999): 27-42.
  • Murray, Julie. "Governing Economic Man: Joanna Baillie's Theatre of Utility." ELH 70.4 (Winter 2003): 1043-65.
  • Myers, Mitzi. "War Correspondence: Maria Edgeworth and the En-Gendering of Revolution, Rebellion, and Union." Eighteenth-Century Life 22.3 (November 1998): 74-91.
  • Nachumi, Nora Gabriella. "Acting Like a 'Lady': British Women Novelists and the Eighteenth-Century Stage." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005816ar.html
  • Newey, Katherine. "Home Plays for Ladies: Women's Work in Home Theatricals." Nineteenth-Century Theatre 26.2 (Winter 1998): 93-111.
  • ---. "Women's Theatrical Texts and Contexts." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/newey1.html
  • Nineteenth-Century Contexts 15.2 (1992).
  • O'Quinn, Daniel. "Hannah Cowley's A Day in Turkey and the Political Efficacy of Charles James Fox." European Romantic Review 14.1 (March 2003): 17-30.
  • ---. "Inchbald's Indies: Domestic and Dramatic Re-Orientations." European Romantic Review 9.2 (Spring 1998): 217-30.
  • ---. "Scissors and Needles: Inchbald's Wives as They Were, Maids as They Are and the Governance of Sexual Exchange." Theatre Journal 51 (1999): 105-25.
  • Pascoe, Judith, Bruce Graver, and Thomas C Crochunis. "Electronic Editing: A Dialogue between Judith Pascoe, Bruce Graver, and Thomas C. Crochinus." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/emaildis.html
  • Pedley, Colin. "'Terrific and Unprincipled Compositions': The Reception of Lovers' Vows and Mansfield Park." Philological Quarterly 74.3 (1995): 297-316.
  • Pitcher, E. W. "Mariana Starke and Millicent Thomas: Early Translators of Genlis's Le Theatre a L'usage Des Jeunes Personnes (1779-1780)." Notes and Queries 45.243 (March 1998): 81-82.
  • Pratt, Kathryn. "Charlotte Smith's Melancholia on the Page and Stage." SEL 41.3 (Summer 2001): 563-81.
  • Purinton, Marjean D. "Polysexualities and Romantic Generations in March Shelley's Mythological Dramas Midas and Proserpine." Women's Writing 6.3 (1999): 385-411.
  • ---. "Representations of the Irish in Romantic Drama." Prism(s): Essays in Romanticism 7 (1999): 133-48.
  • ---. "Revising Romanticism by Inscripting Women Playwrights." Romanticism on the Net 12 (November 1998). http://www.erudit.org/revue/ron/1998/v/n12/005822ar.html
  • ---. "Science Fiction and Techno-Gothic Drama: Romantic Playwrights Joanna Baillie and Jane Scott." Romanticism on the Net 21 (February 2001). http://www.erudit.org/revue/ron/2001/v/n21/005968ar.html
  • ---. "The Sexual Politics of the Election: French Feminism and the Scottish Playwright Joanna Baillie." Intertexts 2.2 (Fall 1998): 119-30.
  • ---. "Socialized and Medicalized Hysteria in Joanna Baillie's Witchcraft." Prism(s): Essays in Romanticism 9 (2001): 139-56.
  • Sabor, Peter. "'Alter'd, Improved, Copied, Abridged': Alexandre D'arblay's Revisions to Edwy and Elgiva." Lumen 14 (1995): 127-37.
  • ---. "The Rediscovery of Burney's Drama." Lumen 8 (1994): 145-56.
  • Sherman, Sandra. "'Does Your Ladyship Mean an Extempore?' Wit, Leisure, and the Mode of Production in Frances Burney's The Witlings." Centennial Review 40.2 (1996): 401-28.
  • Simpson, Michael. "Byron's Cain at the Barbicon Centre, London (Nov 9, 1995 to Nov 7, 1996)." European Romantic Review 8.1 (1997): 41-46.
  • ---. "Re-Opening after the Old Price Riots: War and Peace at Drury Lane." Texas Studies in Literature and Language 41.4 (1999): 378-402.
  • Spencer, Jane. "Adapting Aphra Behn: Hannah Cowley's A School for Greybeards and The Lucky Chance." Women's Writing 2.3 (1995): 221-34.
  • Studies in Romanticism 33.1 (1994).
  • Sutherland, Kathryn. "The Return of the Editor - a Response to Lauryn Mayer and Julia Flanders, 'Real Editions for Real People: Electronic Editing and Women's Theatre Writing'." British Women Playwrights around 1800. http://www.mapageweb.umontreal.ca/eberlesm/bwp1800/essays/real2.html
  • Texas Studies in Literature and Language 38.3-4 (1996).
  • Thompson, Peggy. "'Strange Animation and Vigour': Self-Representation in Frances Burney's The Witlings." Restoration and 18th-Century Theatre Research 12.2 (Winter 1997): 15-25.
  • Wallace, Elizabeth Kowaleski. "Theatricality and Cosmopolitanism in Hannah Cowley's the Belle's Stratagem." Comparative Drama 35.3-4 (2001-2002): 415-33.
  • The Wordsworth Circle 23.2 (1992).¦nbsp;
  • Zelicovici, Dvora. "The Inefficacy of Lovers' Vows." ELH 50.3 (1983): 531-40.
    • Top

    Books and Book Sections

  • Anderson, Misty G. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. New York: Palgrave, 2002.
  • Backscheider, Paula R. Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England. Baltimore: Johns Hopkins UP, 1993.
  • Baer, Marc. Theatre and Disorder in Late Georgian London. Oxford: Clarendon, 1992.
  • Baines, Paul, and Edward Burns, eds. Five Romantic Plays, 1768-1821. Oxford and New York: Oxford UP, 2000.
  • Bennett, Susan. "Genre Trouble: Joanna Baillie, Elizabeth Polack -- Tragic Subjects, Melodramatic Subjects." Women and Playwriting in Century-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Outing Joanna Baillie." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 161-77.
  • Bratton, J. S. "Jane Scott the Writer Manager." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---, and Gilli Bush-Bailey. "The Management of Laughter: Jane Scott's Camilla the Amazon in 1998." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 178-204.
  • Burroughs, Catherine. "'Be Good!': Acting, Reader's Theater, Oratory in Frances Anne Kemble's Writing." Romanticism and Women Poets: Opening the Doors of Reception. Eds. Harriet Kramer Linkin and Stephen Behrendt. Lexington, Kentucky: UP of Kentucky, 1999.
  • ---. Closet Stages: Joanna Baillie and the Theatre Theory of British Romantic Women Writers. Philadelphia: U of Pennsylvania P, 1997.
  • ---, ed. Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Cambridge: Cambridge UP, 2000.
  • Burwick, Frederick. Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era. University Park: Pennsylvania State UP, 1991.
  • ---. "Joanna Baillie, Matthew Baillie, and the Pathology of The Passions." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Carlson, Julia A. In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge: Cambridge UP, 1994.
  • ---. "Remaking Love: Remorse in the Theatre of Baillie and Inchbald." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 285-310.
  • Carlson, Marvin. "Elizabeth Inchbald: A Woman Critic in Her Theatrical Culture." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 207-22.
  • Cave, Richard. "Romantic Drama in Performance." The Romantic Theatre: An International Symposium. Ed. Richard Cave. Gerrards, Cross, Buckinghamshire: Collin Smythe, 1986.
  • ---. The Romantic Theatre: An International Symposium. Gerrards, Cross, Buckinghamshire: Collin Smythe, 1986.
  • Chisolm, Kate. Fanny Burney: Her Life. London: Chatto & Windus, 1998.
  • Cima, Gay Gibson. "'to Be Public as a Genius and Private as a Woman': The Critical Framing of Nineteenth-Century British Women Playwrights." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Cox, Jeffrey N. "Baillie, Siddons, Larpent: Gender, Power, and Politics in The Theatre of Romanticism." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 23-47.
  • ---. "The French Revolution in the English Theatre." History and Myth: Essays on English Romantic Literature. Ed. Stephen Behrendt. Detroit: Wayne State UP, 1990.
  • ---. In the Shadows of Romance: Romantic Tragedy in Germany, England, and France. Athens: Ohio UP, 1987.
  • ---, ed. Seven Abolitionist Dramas. London: Pickering & Chatto, forthcoming.
  • ---, ed. Seven Gothic Dramas, 1789-1825. Athens: Ohio UP, 1994.
  • Crochunis, Thomas C. "Authorial Performances in Criticism and Theory of Romantic Women Playwrights." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 223-54.
  • ---. "Joanna Baillie's Ambivalent Dramaturgy." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---, ed. Joanna Baillie, Romantic Dramatist: Critical Essays. London: Routledge, 2004.
  • Darby, Barbara. Frances Burney Dramatist: Gender, Performance, and the Late-Eighteenth-Century Stage. Lexington, Kentucky: U of Kentucky P, 1997.
  • Davis, Tracy C. Actresses as Working Women: Their Social Identity in Victorian Culture. London: Routledge, 1991.
  • Davis, Tracy C., and Ellen Donkin, eds. Women and Playwriting in Nineteenth-Century Britain. Cambridge: Cambridge UP, 1999.
  • Donkin, Ellen. Getting into the Act: Women Playwrights in London 1776-1829. London: Routledge, 1995.
  • ---. "Mrs. Gore Gives Tit for Tat." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Donohue, Joseph W., Jr. Dramatic Character in the English Romantic Age. Princeton, NJ: Princeton UP, 1970.
  • ---. Theatre in the Age of Kean. Totowa, NJ: Rowman and Littlefield, 1975.
  • Ferguson, Moira. First Feminists: British Women Writers 1578-1799. Bloomington: Indiana UP, 1985.
  • Finkel, Alicia. Romantic Stages: Set and Costume Design in Victorian England. Jefferson, NC and London: McFarland & Co., 1996.
  • Fletcher, Richard M. English Romantic Drama 1795-1843: A Critical History. New York: Exposition, 1966.
  • Franceschina, John, ed. Gore on Stage: The Plays of Catherine Gore. New York: Garland, 1999.
  • ---, ed. Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843. New York: Garland, 1997.
  • Friedman-Romell, Beth H. "Staging the State: Joanna Baillie's Constantine Paleologus." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Gilroy, Amanda. "From Here to Alterity: The Geography of Femininity in the Poetry of Joanna Baillie." A History of Scottish Women's Writing. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.
  • Hadley, Elaine. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford: Stanford UP, 1995.
  • Heller, Janet Ruth. Coleridge, Lamb, Hazlitt, and the Reader of Drama. Columbia: U of Missouri P, 1990.
  • Hoagwood, Terence Allan. "Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the 'Romantic' Period." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Adriana Craciun and Kari E. Lokke. Albany, NY: State U of New York P, 2001. 293-316.
  • ---. "Romantic Drama and Historical Hermeneutics." British Romantic Drama: Historical and Critical Essays. Eds. Terence Allan Hoagwood and Daniel P Watkins. Madison, NJ: Fairliegh Dickinson UP, 1998. 22-55.
  • Hoagwood, Terence Allan, and Daniel P Watkins, eds. British Romantic Drama: Historical and Critical Essays. London: Associated University Presses, 1998.
  • Hume, Robert D, ed. The London Theatre World, 1660-1800. Carbondale: Southern Illinois UP, 1980.
  • ---. The Rakish Stage: Studies in English Drama, 1660-1800. Carbondale: Southern Illinois UP, 1983.
  • Isikoff, Erin. "Masquerade, Modesty, and Comedy in Hannah Cowley's the Belle Stratagem." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. Langhorne, Penn: Gordon and Breach, 1994.
  • Jewett, William. Fatal Autonomy: Romantic Drama and the Rhetoric of Agency. Ithaca: Cornell UP, 1997.
  • Justice, George. "Suppression and Censorship in Late Manuscript Culture: Frances Burney's Unperformed the Witlings." Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800. Eds. George L Justice and Nathan Tinker. Cambridge: Cambridge UP, 2002. 201-22.
  • Kelly, Linda. Richard Brinsley Sheridan. London: Sinclair-Stevenson, 1997.
  • Kemble, Frances Anne. Fanny Kemble: Journal of a Young Actress. Ed. Monica Gough. New York: Columbia UP, 1990.
  • Kucich, Greg. "Reviewing Women in British Romantic Theatre." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000. 48-76.
  • Litvak, Joseph. Caught in the Act: Theatricality and the Nineteenth-Century English Novel. Berkeley: U of California P, 1992.
  • The London Stage, 1660-1800: A Calendar of Plays, Entertainments and Afterpieces, Together with Casts, Box-Receipts, and Contemporary Comment. Carbondale: Southern Illinois UP, 1968.
  • MacMillan, Douglas. Catalogue of the Larpent Plays in the Huntington Library. San Marino, CA: Huntington Library, 1939.
  • Mann, David, Susan Garland Mann, and Camille Garnier, eds. Women Playwrights in England, Ireland, and Scotland, 1660-1823. Bloomington: Indiana UP, 1996.
  • Manvell, Roger. Elizabeth Inchbald: England's Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. New York: Lanham, 1987.
  • McMillan, Dorothy. "Unromantic Caledon: Representing Scotland in The Family Legend, Metrical Legends, and Witchcraft." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Moody, Jane. Illegitimate Theatre in London, 1770-1840. Cambridge: Cambridge UP, 2000.
  • ---. "Illusions of Authorship." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Suicide and Translation in the Dramaturgy of Elizabeth Inchbald and Anne Plumptre." Women in British Romantic Theatre: Drama, Performance and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Moskal, Jeanne. "English National Identity in Mariana Starke's the Sword of Peace: India, Abolition, and the Rights of Women." Women in British Romantic Theatre. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • ---. "Napoleon, Nationalism, and the Politics of Religion in Mariana Starke's Letters from Italy." Rebellious Hearts: British Women Writers and the French Revolution. Eds. Kari E. Lokke and Adriana Craciun. Albany: State U of New York P, 2001.
  • ---. "Politics and the Occupation of a Nurse in Mariana Starke's Letters from Italy." Romantic Geographies: This Discourse of Travel in the Romantic Period. Ed. Amanda Gilroy. Manchester: Manchester UP, 2000. 150-64.
  • Newey, Katherine. "'From a Female Pen': The Proper Lady as Playwright in the West End Theatre, 1823-1844." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • ---. "Women and History on the Romantic Stage: More, Yearsley, Burney, and Mitford." Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Nicoll, Allardyce. A History of English Drama, 1660-1800. 4 vols. Cambridge: Cambridge UP, 1992.
  • Noble, Aloma E. "Joanna Baillie as a Dramatic Artist." PhD. The University of Iowa, 1983.
  • Otten, Terry. The Deserted Stage: The Search for Dramatic Form in Nineteenth-Century England. Athens: Ohio UP, 1972.
  • Pascoe, Judith. Romantic Theatricality: Gender, Poetry, and Spectatorship. Ithaca: Cornell UP, 1997.
  • Pearson, Jacqueline. "Crushing the Convent and the Dread Bastille: The Anglo-Saxons, Revolution and Gender in Women's Plays of the 1790s." Literary Appropriations of the Anglo-Saxons from The Thirteenth to the Twentieth Century. Eds. Donald Scragg and Carole Weinberg. Cambridge: Cambridge UP, 2000. 122-37.
  • Purinton, Marjean D. "Pedagogy and the Passions: Teaching Joanna Baillie's Drama." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • ---. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Drama of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: U of Delaware P, 1994.
  • ---. "Women's Sovereignty on Trial: Joanna Baillie's Comedy the Tryal as Meta-Theatrics." Women in British Romantic Theatre: Drama, Performance and Society. Ed. Catherine Burroughs. Cambridge: Cambridge UP, 2000.
  • Ranger, Paul. 'Terror and Piety Reigned in Every Breast': Gothic Drama in the London Patent Theatres, 1750-1820. London: The Society for Theatre Research, 1991.
  • Rees, Terence, and David Wilmore, eds. British Theatrical Patents, 1801-1990. London: The Society for Theatre Research, 1996.
  • Richards, Sandra. The Rise of the English Actress. New York: St. Martin's, 1993.
  • Richardson, Alan. A Mental Theatre: Poetic Drama and Consciousness in the Romantic Age. University Park: Pennsylvania State UP, 1988.
  • Rubik, Margaret. Early Women Dramatists, 1550-1800. Basingstoke and New York: Macmillan and St Martin's, 1998.
  • Russell, Gillian. The Theatres of War: Performance, Politics, and Society, 1793-1815. Oxford: Clarendon UP, 1995.
  • Sabor, Peter, ed. The Complete Plays of Frances Burney. 2 vols. London and Montreal & Kingston: Pickering and McGill-Queen's UP, 1995.
  • Schofield, Mary Anne, and Cecilia Macheski, eds. Curtain Calls: British and American Women and the Theatre, 1660-1820. Athens: Ohio UP, 1991.
  • Scoinicov, Hanna. Women's Theatrical Space. Cambridge: Cambridge UP, 1994.
  • Scullion, Adrienne, ed. Female Playwrights of the Nineteenth Century. London: J.M. Dent, 1996.
  • ---. "Some Women of the Nineteenth-Century Scottish Theatre: Joanna Baillie, Frances Wright and Helen Macgregor." A History of Scottish Women's Writings. Eds. Douglas Gifford and Dorothy McMillan. Edinburgh: Edinburgh UP, 1997.
  • Simons, Judy. Fanny Burney. Totowa, NJ: Barnes and Noble, 1987.
  • Simpson, Michael. Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley. Stanford: Stanford UP, 1998.
  • Slagle, Judith Bailey. "Evolution of a Writer: Joanna Baillie's Life in Letters." Joanna Baillie, Romantic Dramatist: Critical Essays. Ed. Thomas C Crochunis. London: Routledge, 2004.
  • Stephens, John Russell. The Profession of the Playwright: British Theatre 1800-1900. Cambridge: Cambridge UP, 1992
  • Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Identity. Princeton, NJ: Princeton UP, 1992.
  • Vince, R.W. "Theatre History as an Academic Discipline." Interpreting the Theatrical Past: Essays in the Historiography of Performance. Eds. Thomas Postlewait and Bruce A. McConachie. Iowa City: U of Iowa P, 1989.
  • Walen, Denise A. "Sapho in the Closet." Women and Playwriting in Nineteenth-Century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge UP, 1999.
  • Watkins, Daniel P. A Materialist Critique of English Romantic Drama. Gainesville: UP of Florida, 1993.
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    Dissertations

  • Bardsley, Alyson Margaret. "'Romantic Caledon' or 'Sister Kingdom'? The Ambivalence of Cultural Nationalism in Scottish Romantic Writing." PhD. University of California, Berkeley, 1997.
  • Colombo, Claire Miller. "'You All May Boast the Censor's Art': Censorship and Authority in Romantic Drama." PhD. The University of Texas at Austin, 1997.
  • Dakessian, Marie Anne. "'Gems of the East Her Mural Crown Adorn': Representations of India by Late Eighteenth- and Early Nineteenth-Century British Women Writers." PhD. University of California, Los Angeles, 1999.
  • Darby, Barbara. "Family and Feminism in the Plays of Frances Burney." PhD. Queen's University at Kingston, 1995.
  • Decker, Sharon L. "Blurring Boundaries: The Works of Elizabeth Inchbald." PhD. Fordham University, 2002.
  • DeRochi, Jack Edmund. "Drama in the Agee of the Novel: Generic Adaptations." PhD. University of South Carolina, 2003.
  • Domangue, Druann Durbin. "Three Comedies by Eighteenth-Century Playwright Hannah Cowley: 'The Runaway", "Who's the Dupe?", and "The Belle's Stratagem". An Old-Spelling, Critical Edition." PhD. University of Louisiana at Lafayette, 2001.
  • Dowd, Maureen Anne. "'The Monster Melo-Drame': Spectacle, Sensationalism, and the Cultural Performances of Joanna Baillie, Lady Morgan, and M.E. Braddon." PhD. Loyola University of Chicago, 1999.
  • Dugan, James Shackelford. "A Critical Study of the Plays of Elizabeth Inchbald." PhD. University of Toronto, 1979.
  • Durant, Tammy Lynn. "Joanna Baillie and Romantic Drama." PhD. University of Kentucky, 2003.
  • Dwyer, Karen. "Joanna Baillie Plays the Passions: Literature, Science and Medicine." PhD. University of Notre Dame, 2000.
  • East, Joyce E. "The Dramatic Works of Hannah Cowley." PhD. University of Kansas, 1979.
  • Finberg, Melinda Carol. "Power Plays: Women Playwrights of the Late Eighteenth Century and the Politics of Adaptation." PhD. Princeton University, 2001.
  • Friedman-Romell, Beth H. "Producing the Nation: Nationalism and Gender in the Theatre of Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie." PhD. Northwestern University, 1999.
  • Gamer, Michael Crews. "Popular Stigmas and Appropriate Authors: High Romanticism's Hidden Gothic." PhD. The University of Michigan, 1993.
  • Gilbert, Deidre Elizabeth. "Joanna Baillie: Passionate Anatomist." PhD. University of Denver, 2003.
  • Macheski, Cecilia. "A Feeling Mind: The Early Literary Career of Elizabeth Inchbald (1753-1821)." PhD. City University of New York, 1984.
  • Mozes, Daniel. "'Remorse without the Fear of Hell': Skepticism and Agency in Romantic Drama." PhD. City University of New York, 1997.
  • Muse, Amy Marlene. "Serious Travesty: Female Hamlets and Subjectivity in Late Georgian England." PhD. Auburn University, 1999.
  • Nachumi, Nora Gabriella. "Acting Like a Lady: British Women Novelists and the Eighteenth-Century Stage." PhD. City University of New York, 1999.
  • Nielson, Wendy Christine. "Female Acts of Violence: French Revolutionary Theater in British and German Romantic Drama." PhD. University of California, Davis, 2001.
  • Noble, Aloma E. "Joanna Baillie as a Dramatic Artist." PhD. The University of Iowa, 1983.
  • Park, Bruce Robertson. "Thomas Holcroft and Elizabeth Inchbald: Studies in the Eighteenth-Century Drama of Ideas." PhD. Columbia University, 1952.
  • Patten, Janice Elma. "Dark Imagination: Poetic Painting in Romantic Drama." PhD. University of California, Santa Cruz, 1992.
  • Pratt, Kathryn Jane. "The Melancholy Stage in British Literature, 1780-1830." PhD. Vanderbilt University, 2001.
  • Purinton, Marjean D. "Ideology Unmasked and Fictions Revealed: The Mentally Constructed Tyrannies of English Romantic Drama." PhD. Texas A&M University, 1991.
  • Sohi, Behzad Ghaderi. "Theatres of the Mind: A Comparative Study of British Romantic Dramatists with Five Contemporary Dramatists." PhD. University of Essex, 1997.
  • Swanson, Michael David. "'The Vehicle of Delight and Morality': Humor and Sentiment in the Plays of John O'Keefe as a Reflection of Late Eighteenth Century English Theatrical Comedy." PhD. The Ohio State University, 1991.
  • Thompson, Eva M. "Mary Prince, and Contexts for the "History of Mary Prince, a West Indian Slave, Related by Herself"." PhD. The Ohio State University, 1998.
  • Waldron, Donna Evelyn. "Hannah Cowley: Drama and the Female Author in the Late Eighteenth Century." PhD. Duquesne University, 2000.
  • Yudin, Mary F. "Women Dramatists of the Nineteenth Century and the Domestic Drama: Joanna Baillie, Charlotte Birch-Pfeiffer, and Gertrudis Gomez De Avellaneda." PhD. The Pennsylvania State University, 1995.
  • Yun, Eleana. "Political Philosophy in the Comedies of Eglinton Wallace." MA. University of Alberta, 1994.